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Three Poems

by Thomas Zimmerman

Poetry

Cousin Carl's Motorcycles

Maroon blue jeans, marooned in southwest Iowa,

maroon the color of the high-school team,

the Mustangs. Cousin Carl no maverick,

a champion tennis player, halfback on

the football squad. When I was ten, he rode

a Honda, heart attack at 50-something,

ashes in a Harley tin atop his sister

Nancy’s television, saw it when

my mother died. Yes, Nancy of the teenage

kisses, knees and pink nails pinning down

my prepubescent arms. Carl let me think

I hypnotized him once. I helped him clean out

septic tanks on Saturdays. He bought

the Harley after his divorce, and blamed

himself, admitted he was never home.

Flick of a Switch

A friend’s friend’s tarot deck, my childhood Ouija

board, the entrails the diviner probes:

benighted omens prompted by the beer

in front of me. They call it red: it looks

like rust. It’s garbage night. Neil Young is on

the stereo: “Old Man.” My wife is gone,

off painting Scarlet with some other crazed

dog ladies. Percy’s stuck with me, his muzzle

gray as mine and both of us with bum

left knees. I sip. It seems that someone flicked

a switch and made us old. I’ve told my buddy

Zach I don’t mind dying any time:

I’m satisfied. Reminds me of a blues

a college friend—a guy named Fate—would play.

Naïve and Sentimental Sonnet #7

So it appears that I’ve been wrong about

the world. Do we ourselves give birth to God,

as Rilke writes? A higher consciousness:

my friend Zach says he doubts he has one; I

 

doubt that. Of course, I can’t be sure. But, out

at night with Scarlet and young Percy—odd

pair, white and black, like stars and sky that bless

our need for opposites  that match, defy

 

the pall of artificial light, dispel

the blinding darkness—I feel balanced, whole.

They circle like a canine yang and yin,

 

they sniff for messages, their bellies tell

them time of day: as senses teach the soul

to love the earth we’re on, the worlds we’re in.

About the Author

Thomas Zimmerman teaches English, directs the Writing Center, and edits The Big Windows Review at Washtenaw Community College, in Ann Arbor, Michigan, USA. His poems have appeared recently in The Pangolin Review and Dirty Paws Poetry Review. 

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